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Das Boot (7,) 3 h 28 min X-Ray R A detailed look into the claustrophobic and terrifying world of a German U-boat crew hunting ships from undersea. Gritty, realistic, and peppered with black humour, this is one of the few sympatheticportrayals of the war from the German side to be released in western distribution. Directors Wolfgang Petersen das boot original uncut version (pal) download Das boot original uncut version (pal) download. There are many questions that are raised time and time again by blogger.com Das Boot – the Original Uncut Version restores all the original material to give us the full-length mini-series. It adds 83 minutes to the Director’s Cut, and at minutes, it almost exactly  · Download Here - blogger.com das boot original uncut version download Das Boot Original Miniseries Uncut Version CD2 avi (99 MB) Das Boot Original Miniseries Uncut Version CD2 avi (99 MB) Das Boot Original Miniseries Uncut Version CD2 avi (99 ... read more

They are the bad guys. These are the guys everybody's grandfather punched in the face on Omaha Beach, right? Who can blame anyone for thinking this at first. When we first meet the crew, they're clean shaven, wearing their dress uniforms and tearing up occupied France on leave in drunken celebration. But, as the film progresses, you almost lose track of the time period. Of the larger war. What were once a sea of young, idealistic faces eager for action are now sprouting unkempt beards. The service uniforms become slowly replaced with the more comfortable civilian attire from deeper in the sea bags. Neckties give way to what look like scarves and hats made by family members. You don't get backstory in the Directors Cut that is on any of the characters. Each is introduced with little or no explanation.

You only get to glean a few details here and there as the day to day conversations and duties aboard the boat are depicted in unrelenting detail. The end result is that like the main character, Werner, you meet the crew and learn the life aboard this submarine through his eyes, and by the end of the movie each face in the crew is now a familiar one. Nobody in this movie is truly an "extra". I must have watched this movie over 30 times in my life and each viewing, I notice a new detail in the background. A sailor trying not to fall out of his bunk in a raging storm can be seen clutching what looks like a scratch built model of the submarine itself fashioned from food cans, was the latest thing I noticed. You watch these guys suffer the monotony of the day to day routine while fruitlessly hunting for convoys in good weather, then accompany them through the hellish experience of a depth charge attack, then another.

You follow good men to the breaking point, and watch others distinguish themselves as a member of the team. Nobody looks clueless in the background. Everybody is busy. Be it monitoring the dials and gauges of their post, or checking the batteries in emergency lamps prior to action. Nobody is "arbitrarily turning knobs trying to make it look like they are doing something" right down to the officer inputting data called down from the bridge into the perfectly recreated TVhRe. S3 Torpedo Data Computer accurately inputting the estimated range to the target, before adjusting the maximum torpedo run distance in hectometers and responding with having a "firing solution" as the error lamp can be seen turning off. It is a wholly immersive experience. You find yourself forgetting who they fight for, or why. You get absorbed in the comraderie, the teamwork and the sheer effort they put into repairing the sub. This isn't U where you tighten the nut on a conn rod cap and say "okay chief give her a go", this is the chief of the boat and two other guys tangled up under one of the diesels literally pulling main bearing caps off to change the main bearings up to their knees in oily seawater.

They look like they know what they are doing. You feel like you are watching the real guys do the real thing. I cannot express how utterly reverent this movie is to the history it portrays. You hear water rushing past the hull. You hear the electic motors change speed. The subtle music cues often lost in dialogue can be heard in full. The depth charge explosions are ear splitting. The silence being rent by the sound of a bursting bolt is heart-stopping. Sit down, buckle up and enjoy. Helpful Report abuse. timcon Reviewed in the United States on December 19, As a young German officer, Lothar-Gûnther Buchheim was assigned to join a U-boat patrol in the Atlantic and write a morale-boosting account of its mission. This experience provided the basis for his novel, Das Boot, which inspired this film. Buchheim also wrote a trilogy of non-fiction books about the Battle of the Atlantic, the first of which is available in English translation [[ASIN U-Boat War]] [].

In its day, Das Boot was one of the most expensive films ever produced. Most of the money went into the sets. Especially noteworthy is the set for the U-boat's interior, which was carefully constructed to replicate all the equipment of a real submarine, and mounted on a gimbal that could impart movements to simulate waves, dives, and depth charges. The set was engineered so that water could rush in and fire could break out in its confines. The camera man was forced to work in very restricted spaces and dash through the set filming the actors with his special gyro-stabilized camera. As portrayed in Das Boot, sailors were a diverse lot, but in crises they set their varying personalities and political philosophies aside and assume their assigned roles. They take some satisfaction from sinking ships, but this is tempered by discomfort or remorse over the merchant seamen they killed.

U-boat existence was dispiriting, with long periods of boredom alternating with sheer terror as crewmen fought against an unseen enemy for their very lives. Casting is excellent, especially compelling is Jurgen Prochnow as the steely-eyed captain. Herbert Grönemeyer as the young correspondent Werner [i. Hubertus Bengsch and Martin Semmelrogge give credibility to the First and Second Watch Officers, respectively--two very different characters. The sound effects, enhanced in the most recent versions, make you feel you are actually on the boat. Several versions of Das Boot have been released. The minute theater version , the minute Director's Cut version , and the minute version, [[ASIN:BXAOLQ Das Boot - The Original Uncut Version]] , from which a six-episode television series was derived. The minute version provides more information about individual crew members and everyday life on the ship.

The minute version gives insights into the officers' personalities but neglects the other crewmen. The minute theater version concentrates on action scenes. The nature of your interests may determine which version you prefer. The Director's Cut version offers the original German audio as well as dubbed English and Spanish, with subtitles available in English, Spanish, and French. Extras include a feature about the making of the film, and voice-over commentary by the director and others. In one of the peripherals The Making of Das Boot , star Jurgen Prochnow asserts, "The whole thing happened. That's a true story--exactly like it was. The U actually sailed from St. Nazaire, not La Rochelle. If the U's crew were optimistic in setting out at the beginning of the film October , it was not due to their inexperience, but because the U had already survived six patrols, and a patrol was not yet the semi-suicidal venture it was later to become.

British anti-submarine measures had become much more effective by late , but the U-boats responded by moving their operations away from the most heavily patrolled seas. Sinkings by U-boats did not peak until November The decisive turning point in the Battle of the Atlantic actually came in May , when over 40 U-boats were lost compared with 4 lost in November In real life, U's periscope would have been raised to a level at which the captain's view was not obscured by waves; and almost every encounter with British anti-submarine vessels would have featured the pinging of the asdic apparatus they used to locate submerged U-boats. In the film, messages are decoded with a four-rotor Enigma machine; but the German navy actually continued using three-rotor machines until February But all this is small-minded nitpicking. Das Boot is not intended to be a reenactment of a particular patrol; it is, rather, a microcosm of the whole U-boat war.

Yet, in many ways, the film closely follows the U's seventh patrol Oct. The U was an actual ship; and it really had for its emblem the laughing sawfish that appears on the conning tower of the movie vessel. The harbor scenes were shot in World War II era German submarine bunkers. Bread and fresh produce customarily were tucked into every available space when a U-boat was provisioned. Bucheim really did take thousands of photographs while on board. The chances of surviving the war was about 1 in 4 and this supremely tense, graphic and utterly believable tale shows you with unflinchingly clarity why that was. Firstly the British and American naval forces had learnt how to deal with the U-Boat threat and were becoming more successful with each month.

Secondly, younger and younger crews with less reliable boats were pushed into service to cover increasing losses and thirdly, Hitler was becoming more demanding of what a U-Boat could actually do. Remember they had limited fuel, limited torpedoes and limited opportunity to actually find targets in the vast Atlantic ocean. Often patrolling in atrocious weather conditions with viability down to virtually zero just locating a target, any target, was often down to out-and-out luck. The U-Boats mission to disrupt allied shipping sufficiently to starve Britain out of the war of course eventually failed, but it was not through lack of the courage of the crews. Starting with some short establishing scenes in the days prior to leaving port in France, we are introduced to the crew and then we follow U out to sea looking for prey. The early on board claustrophobic, gritty, damp and always busy scenes on the boat are set up extremely well and the fine often hand held camera shots following characters along the dark narrow corridors are very effective.

The feeling of being there is set up early and never leaves, you ARE there with them. The feeling of enclosure is always there, the sounds, the smells, the sweat on the crew is almost palpable and a real achievement by the director and camera crew. The battle scenes, the chases, and the fleeing from destroyers dropping depth charges are almost too real. The tension built up during these underwater scenes achieved by fantastic model shots, really effective sound design and music, outstanding performances from the cast and confident direction really sell the desperate situation.

Characters concentrating intently on the depth gauge as they attempt to evade being located by the enemy by going lower and lower, well beyond the boats rating, are done simply. These scenes could have been all Gung Ho with lots of special effects, but staying on desperate and terrified faces, covered in sweat and oil, really brings home the true terror of being so far below water. The immense pressure on the thin hull expressed by those terrified faces works wonderfully and humanising the war and of course helps us get to know the crew a little better and in doing so care about them.

Jurgen Prochnow's, as the captain, gives a performance of such subtle power that you really feel for him as he tries to keep his crew and his boat safe. However there are two “however's” for me at least. There are quite a few editing errors nothing major that I suspect are there because of the difficulties involved in restoring a film and more importantly the last ten minutes or so feels like a different film, the simplicity and believability of the story goes a bit astray, the tone changes quite suddenly from gritty realism to Hollywood “end the film with a big bang” with a large dose of shmaltz thrown in for good measure. I'm not saying it's particularly badly done but it did feel “tacked on” and a little Hollywoodized. Considering this is the “Directors cut” I can only assume he wanted this ending and was happy with it.

However I feel it was a mistake and we should have ended our film as it was presented to us, gritty and real. At three hours and nineteen minutes this is without doubt a very long film, however the running time it flies by. I never felt I was watching filler or scenes that didn't need to be there. Nominated for six Oscars it didn't win any, surely once again indicating how useless the Oscars are at actually awarding awards based on actual merit. It was very unlucky to be going up against Gandhi. Making a fortune at the box office it was clear the public recognised a film of real quality. The disk contains both German and English dubbed versions both with subtitles. Watching the German version with subtitles is by far the best, the English dub is distracting. Petersen provides a surprisingly enjoyable and amusing commentary track full of interesting tid-bits for the film buffs out there.

There is a featurette but on my disk it does not play, however I'm sure it's on You-Tube somewhere. Considering this is a 38 year old film and this version is over twenty years old, the DVD quality is very good. The darks are dark without pixelating, grain is minimal and the sound quality is excellent, especially in the battle stations scenes. Excellent and quite an experience. Das Boot was probably the first mainstream World War II movie to be made by Germans, and the perspective it lends is fascinating. It took until to make this based on a novel , which speaks volumes about the struggle that Germans have had to come to terms with their war history, and to be comfortable with reflecting Germans as being something other than 'baddies'. This is the director's cut of the movie, and is not to be confused by subsequent mini series of the same name.

It's late , and the Allies are finally managing to turn the tables on the predatory U-boat fleet. On this particular tour of duty, the U-boot and its somewhat jaded commanding officer is assigned a war correspondent who is meant to record daily life for propaganda purposes. I will refrain from posting spoilers, except to say that this is human drama at its finest. You don't need to be male and a war buff to find this riveting, and the genius cinematography which conveys the sense of being trapped in a tin can at depth with the crew just intensifies the emotion. On a totally subjective and emotional level, I would note that the contribution made by the rugged Jurgen Prochnow in the lead role to my enjoyment of the movie is totally incidental. The fact that he's probably the sexiest thing since Sean Connery and his toupee in 'The Hunt For Red October' probably indicates that I need to unpack my passion for submarine commanders, and perhaps seek professional counselling ; PS Jurgen Prochnow doesn't need to wear a toupee.

Probably one of the most terrifying films ever made. The crew of a wartime submarine during a single mission. Brilliantly filmed. Clausraphobic, completely involving, breath holding excitement. The characters feel so solidly real and human. Although not a true story about a single voyage, everything which occurred in the film did happen according to the author. The film has been transgression the oridinal. A lity, the earlier version was, I think, better. A reduction of one star because the sound quality was so quiet, decreasing in strength as the film progressed, it was almost impossible to hear for the final your or more. The subtitles didn't help: not only were they not an accurate copy of what was said but also only half was ever visible on the screen.

That said, if anyone has not yet seen this film - not the poor attempt to follow it as a current TV series, mixing a tale of romance and espionage in France with an occasional switch to the submarine - but the original set almost entirely inside the submarine - get it now. more than a film, it is an amazing experience. One person found this helpful. If, like me, you admire this film, DON'T buy this version! I'm afraid I assumed that it would be possible to play the original German soundtrack; it isn't. Far too much has been cut. I accidentally left the English subtitles on for the English soundtrack.

You have to wonder if whoever did the subtitles has even watched the film. They, and the spoken words, bear little relation to one another. Spend more to get the uncut version, which will play in German. I now have; I'll give this one away. Your recently viewed items and featured recommendations. Back to top. Get to Know Us. Make Money with Us. Amazon Payment Products. Let Us Help You. Conditions of Use Privacy Notice Interest-Based Ads © , Amazon. com, Inc. or its affiliates. Watch Instantly with. Das Boot. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers. Amazon Drive Cloud storage from Amazon. ACX Audiobook Publishing Made Easy. Sell on Amazon Start a Selling Account. Amazon Business Everything For Your Business. AmazonGlobal Ship Orders Internationally. Home Services Experienced Pros Happiness Guarantee. Amazon Ignite Sell your original Digital Educational Resources.

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The service uniforms become slowly replaced with the more comfortable civilian attire from deeper in the sea bags. Neckties give way to what look like scarves and hats made by family members. You don't get backstory in the Directors Cut that is on any of the characters. Each is introduced with little or no explanation. You only get to glean a few details here and there as the day to day conversations and duties aboard the boat are depicted in unrelenting detail. The end result is that like the main character, Werner, you meet the crew and learn the life aboard this submarine through his eyes, and by the end of the movie each face in the crew is now a familiar one. Nobody in this movie is truly an "extra".

I must have watched this movie over 30 times in my life and each viewing, I notice a new detail in the background. A sailor trying not to fall out of his bunk in a raging storm can be seen clutching what looks like a scratch built model of the submarine itself fashioned from food cans, was the latest thing I noticed. You watch these guys suffer the monotony of the day to day routine while fruitlessly hunting for convoys in good weather, then accompany them through the hellish experience of a depth charge attack, then another. You follow good men to the breaking point, and watch others distinguish themselves as a member of the team.

Nobody looks clueless in the background. Everybody is busy. Be it monitoring the dials and gauges of their post, or checking the batteries in emergency lamps prior to action. Nobody is "arbitrarily turning knobs trying to make it look like they are doing something" right down to the officer inputting data called down from the bridge into the perfectly recreated TVhRe. S3 Torpedo Data Computer accurately inputting the estimated range to the target, before adjusting the maximum torpedo run distance in hectometers and responding with having a "firing solution" as the error lamp can be seen turning off. It is a wholly immersive experience.

You find yourself forgetting who they fight for, or why. You get absorbed in the comraderie, the teamwork and the sheer effort they put into repairing the sub. This isn't U where you tighten the nut on a conn rod cap and say "okay chief give her a go", this is the chief of the boat and two other guys tangled up under one of the diesels literally pulling main bearing caps off to change the main bearings up to their knees in oily seawater. They look like they know what they are doing. You feel like you are watching the real guys do the real thing. I cannot express how utterly reverent this movie is to the history it portrays. You hear water rushing past the hull.

You hear the electic motors change speed. The subtle music cues often lost in dialogue can be heard in full. The depth charge explosions are ear splitting. The silence being rent by the sound of a bursting bolt is heart-stopping. Sit down, buckle up and enjoy. VINE VOICE. As a young German officer, Lothar-Gûnther Buchheim was assigned to join a U-boat patrol in the Atlantic and write a morale-boosting account of its mission. This experience provided the basis for his novel, Das Boot, which inspired this film. Buchheim also wrote a trilogy of non-fiction books about the Battle of the Atlantic, the first of which is available in English translation U-Boat War [].

In its day, Das Boot was one of the most expensive films ever produced. Most of the money went into the sets. Especially noteworthy is the set for the U-boat's interior, which was carefully constructed to replicate all the equipment of a real submarine, and mounted on a gimbal that could impart movements to simulate waves, dives, and depth charges. The set was engineered so that water could rush in and fire could break out in its confines. The camera man was forced to work in very restricted spaces and dash through the set filming the actors with his special gyro-stabilized camera. As portrayed in Das Boot, sailors were a diverse lot, but in crises they set their varying personalities and political philosophies aside and assume their assigned roles. They take some satisfaction from sinking ships, but this is tempered by discomfort or remorse over the merchant seamen they killed.

U-boat existence was dispiriting, with long periods of boredom alternating with sheer terror as crewmen fought against an unseen enemy for their very lives. Casting is excellent, especially compelling is Jurgen Prochnow as the steely-eyed captain. Herbert Grönemeyer as the young correspondent Werner [i. Hubertus Bengsch and Martin Semmelrogge give credibility to the First and Second Watch Officers, respectively--two very different characters. The sound effects, enhanced in the most recent versions, make you feel you are actually on the boat. Several versions of Das Boot have been released. The minute theater version , the minute Director's Cut version , and the minute version, Das Boot - The Original Uncut Version , from which a six-episode television series was derived. The minute version provides more information about individual crew members and everyday life on the ship. The minute version gives insights into the officers' personalities but neglects the other crewmen.

The minute theater version concentrates on action scenes. The nature of your interests may determine which version you prefer. The Director's Cut version offers the original German audio as well as dubbed English and Spanish, with subtitles available in English, Spanish, and French. Extras include a feature about the making of the film, and voice-over commentary by the director and others. In one of the peripherals The Making of Das Boot , star Jurgen Prochnow asserts, "The whole thing happened. That's a true story--exactly like it was.

The U actually sailed from St. Nazaire, not La Rochelle. If the U's crew were optimistic in setting out at the beginning of the film October , it was not due to their inexperience, but because the U had already survived six patrols, and a patrol was not yet the semi-suicidal venture it was later to become. British anti-submarine measures had become much more effective by late , but the U-boats responded by moving their operations away from the most heavily patrolled seas. Sinkings by U-boats did not peak until November The decisive turning point in the Battle of the Atlantic actually came in May , when over 40 U-boats were lost compared with 4 lost in November In real life, U's periscope would have been raised to a level at which the captain's view was not obscured by waves; and almost every encounter with British anti-submarine vessels would have featured the pinging of the asdic apparatus they used to locate submerged U-boats.

In the film, messages are decoded with a four-rotor Enigma machine; but the German navy actually continued using three-rotor machines until February But all this is small-minded nitpicking. Das Boot is not intended to be a reenactment of a particular patrol; it is, rather, a microcosm of the whole U-boat war. Yet, in many ways, the film closely follows the U's seventh patrol Oct. The U was an actual ship; and it really had for its emblem the laughing sawfish that appears on the conning tower of the movie vessel. The harbor scenes were shot in World War II era German submarine bunkers. Bread and fresh produce customarily were tucked into every available space when a U-boat was provisioned. Bucheim really did take thousands of photographs while on board. The unscheduled encounter with another U-boat U actually did take place--Buchheim's photo of the event is reproduced on the cover of Time-Life's The Battle of the Atlantic And many U-boats were ordered to the Mediterranean by Hitler himself to protect ships carrying supplies to German forces in Africa.

Viewers might assume that, in diving to depths of meters and below, U-boats were senselessly courting disaster. In fact, there were reasons for doing so. During the first two years of the war, the British did not realize the depths to which U-boats could dive. Thus, U-boats could dive well below the depths at which depth charges were set to explode. It was only after they captured U in the summer of that the British discovered their mistake and set their depth charges to explode at deeper depths. Apart from this factor, the increased water pressure at greater depths confined the explosive impact of depth charges. In other words, at greater depths, depth charges had to explode closer to a U-boat in order to be effective.

Needless to say, the greater the depth to which a U-boat dived, the more difficult it became for anti-submarine vessels to locate it precisely asdic was not infallible , and to set their depth charges to explode in sufficient proximity to damage the U-boat. It appears that the film's principal characters were based to some extent on their real-life equivalents. The captain is based on Heinrich Lehmann-Willenbrock, one of the top U-boat "aces," who had joined the navy in the pre-Nazi years and may have been among the navy officers who were not imbued with Nazism.

The pro-Nazi First Watch Officer was clearly patterned on Gerhard Groth, who was born in Mexico. The film portrays the Second Watch Officer, who evidently represents Werner Hermann, as a rather irreverent and mischievous person--and Hermann's cadet class was remembered for its pranks. Judging by photographs, Bengsch cast as Groth and Semmelrogge cast as Herman may have been selected for their physical resemblance to the characters they portrayed. The Chief Engineer was probably based on Friedrich-Wilhelm Grade. Apparently, all of these men survived the war. From a German perspective, only 10 U-boats were more successful than the U After 11 patrols, it became a training vessel, and it survived until it was destroyed by American bombs in March In the course of the war, not a single crew member died in combat on the U In real life, U was a lucky boat.

I watched it years ago and it has stuck in my brain as one of my favorite movies of all time. Re-watched it recently. See all reviews. Top reviews from other countries. So you don't really need my views. It was well received with 6 Oscar nominations -though not winning any. A min edited version was released on VHS. In it was reissued in cinemas. This edition is usually issued with a blue cover. And If you don't like 'foreign language subtitled films' the English dubbed version is quite acceptable with many of the main German actors doing their own translated English voices. Also available -the full '5 hour TV version' from the mid 80s this also has upgraded sound. It was Released on 2 discs in The film ratio on both versions is 'widescreen' A copy I recently purchased is a 2 disc 'Superbit' edition that claims to utilise a "special high bit rate digital transfer process". This doesn't have the commentary though. The 'TV series-5 hour' version is also available on bluray, but I don't know what extras may be on this release Every 5 years or so Hollywood goes a bit crazy about a foreign language film and often showers it in awards whether it's deserved or not.

Films like Downfall and Crouching Tiger, Hidden Dragon and many others have then often captured the public's attention and become big hits and successful at the box office. Well in the case of the two films just mentioned all the fuss was more than justified, in the case of Das Boot The directors Cut it's just the same and, perhaps more so.

Based on an autobiographical novel by Lothar-Guenther Buchheim, this all-German production shatters the propagandistic myths about the cold-blooded heroics of Germany's famous U-boats, "Gray Wolves. This version of Das Boot is the full-length TV series, originally shown in six parts but here edited into a seamless whole. Director Wolfgang Petersen has since graduated to mega-budget Hollywood productions 's Troy for example , but has never managed to even come close to this, his German-language masterpiece. Petersen and his sterling cast including Jürgen Prochnow in his best role as the U-boat Captain went to great lengths to ensure that this claustrophobic depiction of life aboard the German sub U while attacking British convoys in the Atlantic is thoroughly authentic, and totally convincing.

Even the set itself, which is a replica of a U-boat interior, had no false walls, so all camera angles are necessarily from within its horribly narrow, overcrowded and sweaty confines. The result is certainly the finest submarine drama ever made, and one of the most compelling depictions of the physical, psychological and emotional effects of warfare. This miniseries is rather longer than the movie version, which is also available on DVD in a director's cut version. The differences are not in matters of plot, but in the pacing: everything here takes longer to happen, while the crew must sit around, bicker, swear, and sweat it out--the agonizing searching for action, the tension of the attack, the terrible stress of hiding from enemy destroyers.

Everything unfolds as if in real time, which is the great advantage a TV production has over a movie contrast, for example, Band of Brothers with Saving Private Ryan. This, therefore, is the definitive presentation of a World War II classic. The Das Boot miniseries is presented on two discs, with no breaks where the original TV episodes started and finished. The default language option is German with optional English subtitles. For those allergic to subtitles, there is also an alternative English-language dub, voiced by many of the original cast including Prochnow. Sound is adequate stereo or Dolby 5. Unlike the theatrical version, though, there is no Petersen commentary track.

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Read full return policy. Other Sellers on Amazon. Not added. Image Unavailable Image not available for Color:. VIDEOS ° VIEW IMAGES. Das Boot - The Original Uncut Version. IMDb 8. Additional DVD options Edition Discs Price. DVD "Please retry". DVD May 13, "Please retry". DVD June 1, "Please retry". DVD December 9, "Please retry". DVD March 15, "Please retry". DVD March 4, "Please retry". DVD May 20, "Please retry". DVD January 1, "Please retry". See More. Enhance your purchase. Genre Drama Format Multiple Formats, AC-3, Anamorphic, Closed-captioned, Color, Dolby, Dubbed, NTSC, Subtitled, Widescreen See more Contributor Heinz Hoenig, Hubertus Bengsch, Bernd Tauber, Martin May, Claude-Oliver Rudolph, Erwin Leder, Lothar G.

Buchheim, Jürgen Prochnow, Herbert Grönemeyer, Uwe Ochsenknecht, John W. Hyde, Mark Damon, Wolfgang Petersen, Günter Rohrbach, Jan Fedder, Edward R. Pressman, Michael Bittins, Martin Semmelrogge, Klaus Wennemann See more Language English, German Runtime 4 hours and 53 minutes. Frequently bought together. Total price:. To see our price, add these items to your cart. Some of these items ship sooner than the others. Show details Hide details. Choose items to buy together. This item: Das Boot - The Original Uncut Version. Get it as soon as Thursday, Dec The Hunt for Red October. Get it as soon as Monday, Dec Customers who viewed this item also viewed.

Page 1 of 1 Start over Page 1 of 1. Previous page. Das Boot - TV-Serie Das Original [Blu-ray] []. Bill Paxton. Bruno Ganz. Sean Connery. Das Boot: Season 2 [DVD]. Das Boot: The Complete First Season. Vicky Krieps. Next page. Product Description Based on an autobiographical novel by Lothar-Guenther Buchheim, this all-German production shatters the propagandistic myths about the cold-blooded heroics of Germany's famous U-boats, "Gray Wolves. com This version of Das Boot is the full-length TV series, originally shown in six parts but here edited into a seamless whole. Pressman, Günter Rohrbach, John W. Brief content visible, double tap to read full content. Full content visible, double tap to read brief content.

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Das Boot Original Uncut Version (Pal) Download Das Boot Original Uncut Version (Pal) Download [PDF],Das_Boot_-_Original_Miniseries_-_Uncut_Version_-_CD2.avi.001

das boot original uncut version (pal) download Das boot original uncut version (pal) download. There are many questions that are raised time and time again by blogger.com Download Das Boot Original Miniseries Uncut Version CD1 avi fot free, free download Das Boot Original Miniseries Uncut Version CD1 avi from rapidshare and other file hosts. Free Das Boot (7,) 3 h 28 min X-Ray R A detailed look into the claustrophobic and terrifying world of a German U-boat crew hunting ships from undersea. Gritty, realistic, and peppered with black humour, this is one of the few sympatheticportrayals of the war from the German side to be released in western distribution. Directors Wolfgang Petersen Das Boot Original Miniseries Uncut Version CD2 avi (99 MB) Das Boot Original Miniseries Uncut Version CD2 avi (99 MB) Das Boot Original Miniseries Uncut Version CD2 avi (99 Das Boot – the Original Uncut Version restores all the original material to give us the full-length mini-series. It adds 83 minutes to the Director’s Cut, and at minutes, it almost exactly  · Download Here - blogger.com das boot original uncut version download ... read more

This is a pure understatement. Re: VUDU AT HOME: DISC-TO-DIGITAL Bugs? Whole Foods Market America’s Healthiest Grocery Store. Paranormal Activity 2. Cast and Crew Powered by Logo Imdb Outline Logo Imdb Outline Wolfgang Petersen - director See profile. Bulkheads look cold, heavy and coated in both grime and moisture.

Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Apparently, all of these men survived the war. You hear the electic motors change speed. Some of the special effects look a bit dated, but you won't notice once the movie gets going. Scooby-Doo and the Monster of Mexico 3.

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